Dreamland: A Serialized Fiction Podcast Adapted For Television

A single-minded private eye. A con artist with a grudge. A producer making ends meet and a stunt man at the end of his rope.

Just another week in Los Angeles.

Novice detective Lorien James has her work cut out for her. She’s just been hired to track down a shrewd impersonator, and lives (and Hollywood reputations) are on the line. Meanwhile, Derrick Silver is about to land his dream directing job – or so he thinks. Knives are sharpened and sequels are pitched as two separate timelines converge.

A story about the stories we tell ourselves, and about finding the truth by accident.

Dreamland is a six-episode fiction podcast that’s part mystery and part dark comedy. Inspired by actual events, it switches between two separate timelines to uncover
a surprising truth.

It is loosely based on the real-life story that broke in Hollywood last summer in which “some of the most powerful women in entertainment — including Amy Pascal, Kathleen Kennedy, Stacey Snider and a ‘Homeland’ director — have been impersonated by a cunning thief who targets insiders with promises of work, then bilks them out of thousands of dollars.”

Written by Chance Muehleck and directed by Melanie S. Armer, Dreamland is available for free and can be accessed directly on the website, as well as subscribed and listened to on all major platforms, including iTunes, Stitcher, Google Play, and Spotify.

The podcast is now being considered for a TV adaptation. Here’s a teaser for the podcast:

Bassnectar & Peekaboo – Illusion ft. Born Directed by Nohista

The concept and visual design as well as direction and post-production are by Bruno Ribeiro aka Nohista for Bassnectar.

DOP : Romain Leblanc
Light programmation: Zaccharie schütte

Choreography – Stylist: Leah Mc Fly
Performers: Jalessa Coligny / Tommy Nuguid / Leah Mc Fly
Make up: Steven Cabeleira

Shot at Moment Factory Studios

Light-painting by Eric Paré & Kim Henry
360 camera array by Xangle studios

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The visuals will be presented at Bassnectar’s live performances, the earliest of which will be April 13th at Coachella.

Humanitarian Filmmaking: Caleb Slain’s Welcome to the End of the World

Amid all the political scandals, it’s always refreshing to turn our attention elsewhere… perhaps  to the end of the world…

In the Autumn of 2013, Caleb Slain was one of three filmmakers recruited to explore the work of a team helping children in some of the most ignored area of the globe. He and cinematographer Chad Terpstra ventured out into the Indian state of “Nagaland,” one of the most remote regions of the eastern Himalayas to learn about it’s people, the health conditions of the children, and a group called “Vitamin Angels”.

There is good out there.

Woolf+Lapin To Judge Launchpad TV Pilot Competition

We are very happy that Woolf+Lapin is among top agency/management partners to judge the Launchpad’s upcoming 2019 TV Pilot Competition. This would be our second collaboration with the competition. Their focus is on elevation and discovery. So we’re especially grateful to Chris Contreras from the Launchpad for giving us access to this hub of creativity and enabling us to discover great, emerging talent.

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Occupied VR’s The Holy City

The Holy City (OccupiedVR) is an innovative immersive and gamified VR experience of one of the world’s spiritual epicenters. The project reflects an innovation mindset, harnessing cutting edge technology and creating a platform that carries a unique opportunity to understand a new perspective.

The interactive experience will be utilized as an educational, exploratory, and interactive experience rich in narrative and cultural history. Users will be transported to an ancient land to explore historic sites, interact with locals, and gain a deep understanding of a foreign culture.

The historical and culturally driven learning experience will make the viewer feel like they are traveling across the world to a foreign land, seizing an immersive cultural experience of a lifetime. This rich immersion will help celebrate diversity rooted in culture, fostering an inclusive sense of community that you will have to see to believe.

PROJECT FACTS
+ Interactive environments are all 3D scanned replicas of the historic locations
+ Using a hybrid approach of 360 and Room-scale interactivity
+ Exclusive Interviews with key religious figures from Christianity, Judaism, and Islam in Jerusalem

Kevin Bachar’s Edison’s Ghosts Wins the 2018 ScreenCraft Action/Thriller Screenplay Competition

This February, the winners for the 2018 ScreenCraft Action/Thriller Screenplay competition were announced. Selected from roughly 800 entries, Edison’s Ghost by our very own Kevin Bachar was named the winner.

In Edison’s Ghost, after the mysterious death of his wife, young infamous inventor, Thomas Edison, teams up with renowned magician, Harry Houdini, to uncover the truth. Inspired by true events, the two men use their diametric skill sets to reveal diabolical forces at play. The judges were impressed with the slick confident writing and fun read akin to recent historical action films such as Sherlock Holmes.

In addition to the ScreenCraft team, the judges included: Belles Avery of Apelles Entertainment (The Meg); Jeannette Francis of Bad Robot (Star Trek, Cloverfield); Matthew Leonetti (Jumanji: Welcome to the Jungle, Spider-Man: Homecoming, and The Equalizer); Andrew Bergamo (Deadpool, Logan, Constantine, and The X-Men films); and the legendary screenwriter Steven E. de Souza, (Die Hard, 48 Hrs., Commando and Lara Croft Tomb Raider: The Cradle of Life).

Both the Grand Prize winner, Bachar, and runner-up, Travis Opgenorth, will each receive cash prizes and have their material circulated to ScreenCraft’s network of agents, managers, and producers.

That’s not all for Kevin. His other script Blood Relative is casting with John Poliquin directing. Mitchell Peck optioned Kevin’s Page Award finalist Tundra Kill and his My Boy Friend the App, which won Final Draft Big Break, is a finalist for Stage 32 National Lampoon Search for Comedy Gold.

Canadian Mixed Martial Arts Icon Georges St-Pierre Formally Announces His Retirement

During this morning’s press conference at Montreal’s Bell Centre, MMA superstar Georges St-Pierre says he’s finally satisfied. And that’s why he’s retiring because throughout his career he hasn’t been satisfied. And this dissatisfaction has been his main motivator. Now he says he does not have the same hunger anymore.

“It takes a lot of discipline to retire on top. I wanted to retire on my own and not be told to retire or be taken out by an opponent. In full contact sports you should retire on top. And I’m happy to have the wisdom to do so,” he says.

Georges shared his proudest moment. Oddly enough, it’s not a particular victory. Or a particular knockout. “For me it’s when I got dropped by a Carlos Condit kick and I stood up again. I showed I had the guts to overcome an obstacle,” he says.

He names Wayne Gretzky as one of his greatest inspirations. “Everything starts with a dream,” he said. And his was to be the best.

Here’s a gig we did with GSP during a break from fighting and training six years ago. It’s a little comedy starring the MMA icon with Quebec’s Patrick Boivin directing. True to himself, his fee went to the Georges St-Pierre Foundation. All our best GSP!

2018 Going Out With a Bang!

Here’s a short list of what we loved about 2018:

Tiny Inventions nomination at the Oscars.

K5 Films sign on to produce Dan Shea’s No Child Left Behind with Patrick Boivin to direct.

Martin Girard co-scénarise la télésérie LE JEU.

Syon Media sign on to produce Liz Gilbert’s LOVELY

Discovering the work of Caleb Slain, especially his short western DEMON.

Kevin Bachar’s RELATIVE sold to 3 Point Capital with John Poliquin to direct.

Our continued collaboration with Fantasia as VR programmers where Skybound’s VR film DINNER PARTY won the grand prize.

Bernie Goldman to produce Katy Dore’s Black List TV series THE UNSUNG, winner of ATX Television Festival

Midnight Sun director Scott Speer to helm Greg Wayne’s S21 through Catapult Entertainment.

Katy Dore participated as a mentor in the Young Storytellers Foundation Script to Stage program in the Boyle Heights area of Los Angeles.

Oscar-Nominated Tiny Inventions’ New Feature Project @ Sundance Script Lab

Oscar-nominated Tiny Inventions, made up of the duo of Ru Kuwahata and Max Porter, are fresh off the TorinoFilmLab, a 9-month feature scriptwriting fellowship. The first draft of the script is also part of Sundance Script Lab 2019.

The script in question is a coming of age story exploring the media, Japanese culture, fantasy worlds we build for ourselves and the loss of innocence.

Tiny inventions was nominated for the 2018 Oscars for best animated short, Negative Space, based on a poem by Ron Koertge.

See the BTS for another one of their shorts, SOMETHING LEFT SOMETHING,TAKEN, to see their workflow on how they build, photograph, animate, composite and color correct for their projects. The film is well worth the ten-minute chill time.