Robert Hloz’s Restore Point Opens to Rave Reviews in Karlovy Vary

Congrats to Robert on his first feature, which had a very successful premiere at Karlovy in early July 2023, where the Czeck director was awestruck by the two standing ovations.

Variety’s Guy Lodge opines “director Robert Hloz’s whopper of a calling-card debut may offer a more credibly subdued, budget-constrained visual of the mid-21st century than the lavishly built “Blade Runner 2049” — unless we’re in for a drastic design (r)evolution over the course of the 2040s — but its ideas are sky-high in concept. Robert Hloz shows Hollywood-level chops in a resourceful, niftily plotted vision of a near future where human life can’t always be saved, but it can be rebooted.”

Screen Daily calls it a “stylish, high-concept self-contained piece of storytelling.”

Following its home premiere in Karlovy Vary’s Special Screenings section, it will make its North American debut at the genre-specific Fantasia Festival.

Paloma Dawkins Attends Game Arts International Assembly

The Game Arts International Assembly (GAIA) is an international think tank and network for the professional development of the game arts community aimed at curators, producers, event organizers and academics working in the field of videogame culture.

Among many other wonderful things, the 2023 edition of GAIA will consist of three days of personal talks, playful events, and round tables focusing on:

– Interactive and playful sessions generating ideas to address big issue problems;
– Bonding/integration activities designed for the participants, including visits to local game developers studios, to museums and to local cultural venues and activities.

Also, Paloma Dawkins will be part of a panel on conjuring our experiences and disciplines outside of games. Paloma is a Canadian cartoonist turned award winning virtual-reality and video-game artist. She is the founder of the XR and animation studio Apocablyss Studios (2021). Dawkins’ games are praised for being digital spaces that celebrate natural life and rhythms. She has organized pre-pandemic events for avant-garde and performative games/experiences as well as game jams in Montreal and around the world.

Marin Girard et Crépuscule pour un tueur

Dans quelques articles parus récemment sur la sortie du film, Crépuscule pour un tueur, l’acteur Éric Bruneau, le réalisateur Raymond Saint-Jean et le scénariste Martin Girard y vont de leurs impressions sur le tueur à gages Daniel Lavoie, le personnage qu’ils ont façonné ensemble.

« Les quatre saisons sont incluses dans le film. On passe de la chaleur de l’été à la vibrance de l’automne. À un moment, Donald Lavoie enfile des raquettes pour aller couper un sapin, évoquant un coureur des bois. On voulait que ça ne puisse être rien d’autre qu’un film québécois ».

« On nous a demandé si le film glorifiait la criminalité. Je pense que ce n’est pas la bonne question à poser. Ce personnage ne mérite certainement pas la gloire au sens d’un héros, mais ce qu’il a vécu marque un tournant dans l’histoire de la criminalité au Québec. C’est pour lui que le Programme de protection des témoins a vu le jour. »

« C’est un récit sur le thème de la réhabilitation.»

— Martin Girard

Les articles en question…

Journal de Montreal
Le Devoir
La Presse

Someone Stole This VR Producer’s Friendship Bracelet

“Dealing with theft is never fun, but interdisciplinary artist and BFF holder Jessica Kantor wants to speak out about the incident that drained her BFF Friendship Bracelet from her MetaMask wallet in the hopes of saving fellow community members from the same fate.

“Kantor, who grew up in New York City and currently resides in Santa Monica, Ca., is a highly sought-after writer, director and producer of immersive augmented reality (AR) experiences. She is also the chief of staff at RMX, an early-stage Web3 startup that develops on-chain tooling for creators. BFF played an important role in Kantor’s Web3 onboarding, which happened, she says, “in a postpartum daze in early 2022.”

SEE FULL MYBFF article

Crépuscule pour un tueur, en salles le 10 mars

Long métrage de fiction – Sortie mars 2023

Avec: Éric Bruneau, Benoît Gouin, Sylvain Marcel, Rose-Marie Perreault, Simon Landry-Désy,
Joakim Robillard, Alexandre Castonguay, Hugues Frenette, Jean Petitclerc, Christophe Levac.

Réalisation: Raymond St-Jean
Scénario: Martin Girard, Raymond St-Jean
Production: Paul Cadieux, Michel Ouellette, Martine Allard
Direction photo: Jean-Francois Lord
Musique: Gaëtan Gravel
Direction artistique: Marie Hélène Lavoie
Montage: Philippe Ralet
Costumes: Valérie Gagnon-Hamel
Maquillage: Kathryn Casault

Apocablyss Studio Launch Trailer

Apocablyss Studio, a new endeavor from Paloma Dawkins (Museum of Symmetry, Songs of the Lost, Gardenium), officially launched last September 23rd at Montreal’s Anteism Books venue (Solange Knowles’ In Past Pupils and Smiles) in what was a perfect night of poetry from Ashley Opheim and Erin Songbird and of course technology from Paloma Dawkins.

Apocablyss is devoted to using new media to explore new forms of storytelling, creating animated programmed and speculative fictions that help us reconnect and reimagine ourselves. This is why the studio has a strong technological penchant for everything XR which it combines with poetry and an incredibly whimsical animation style.

We leave you with the mantra of the studio: Love is the Technology of Survival. Indeed.

Welcome to Writer’s Guild of Canada Sondra Kelly Award Winner, Carolyn Saunders

Writer-Director Carolyn Saunders is the 2022 winner of the Writers Guild of Canada’s Sondra Kelly Award, and an Academy Nicholl Fellowship quarterfinalist in 2021.

She was also selected for the prestigious Meryl Streep/Nicole Kidman Writer’s Lab and her sci-fi feature script Island West is on Coverfly’s Red List, in the Top 1% of nearly 80,000 screenplays.

Carolyn was just shortlisted for the Sundance Features Lab with the same feature script proposal that won her the Sondra Kelly Award, a biographical tale about a Starfighter pilot’s wife who fights for her identity on a patriarchal Canadian airbase in 1960’s Germany.

The above Ted Bundy piece, broadcast on Amazon, is part of her body of work as a documentarian.

Here’s some press.

https://jezebel.com/ted-bundy-falling-for-a-killer-renders-the-women-three-1841453387

‘Ted Bundy: Falling for a Killer’ tells its story through the eyes of the survivors

https://decider.com/2020/01/31/ted-bundy-falling-for-a-killer-on-amazon-prime-stream-it-or-skip-it/

https://birthmoviesdeath.com/2020/02/07/ted-bundy-falling-for-a-killer-does-right-by-victims

Félicitations à Martin Girard pour «Crépuscule pour un tueur»

Tourné en 2020, Crépuscule pour un tueur prendra l’affiche au début 2023.

Coécrit par Raymond St-Jean et Martin Girard, les scénaristes se sont basés sur les nombreux articles de journaux qui ont été écrits à l’époque sur Donald Lavoie qui a admis en 1981 avoir participé à 27 meurtres pour le compte de la famille Dubois, une des plus importantes organisations criminelles de Montréal à l’époque.

Sur son site, Raymond St-Jean, qui a aussi réalisé le film, écrit que le film est librement inspiré de fait vécus. Le drame criminel raconte comment, à la fin des années 1970, Donald Lavoie, un tueur à gages redoutable, travaille sous les ordres du boss de la pègre du Sud-Ouest de Montréal, Claude Dubois qui prend sous son aile une jeune recrue qui ne tarde pas à le compromettre dans un double meurtre salopé.

Lavoie échappe à la justice, mais ce n’est que partie remise pour le sergent-détective Patrick Burns qui cherche à le convaincre de témoigner pour faire tomber le clan Dubois.

Le film est produit par Paul Cadieux.