Dreamland: A Serialized Fiction Podcast Adapted For Television

A single-minded private eye. A con artist with a grudge. A producer making ends meet and a stunt man at the end of his rope.

Just another week in Los Angeles.

Novice detective Lorien James has her work cut out for her. She’s just been hired to track down a shrewd impersonator, and lives (and Hollywood reputations) are on the line. Meanwhile, Derrick Silver is about to land his dream directing job – or so he thinks. Knives are sharpened and sequels are pitched as two separate timelines converge.

A story about the stories we tell ourselves, and about finding the truth by accident.

Dreamland is a six-episode fiction podcast that’s part mystery and part dark comedy. Inspired by actual events, it switches between two separate timelines to uncover
a surprising truth.

It is loosely based on the real-life story that broke in Hollywood last summer in which “some of the most powerful women in entertainment — including Amy Pascal, Kathleen Kennedy, Stacey Snider and a ‘Homeland’ director — have been impersonated by a cunning thief who targets insiders with promises of work, then bilks them out of thousands of dollars.”

Written by Chance Muehleck and directed by Melanie S. Armer, Dreamland is available for free and can be accessed directly on the website, as well as subscribed and listened to on all major platforms, including iTunes, Stitcher, Google Play, and Spotify.

The podcast is now being considered for a TV adaptation. Here’s a teaser for the podcast:

Bassnectar & Peekaboo – Illusion ft. Born Directed by Nohista

The concept and visual design as well as direction and post-production are by Bruno Ribeiro aka Nohista for Bassnectar.

DOP : Romain Leblanc
Light programmation: Zaccharie schütte

Choreography – Stylist: Leah Mc Fly
Performers: Jalessa Coligny / Tommy Nuguid / Leah Mc Fly
Make up: Steven Cabeleira

Shot at Moment Factory Studios

Light-painting by Eric Paré & Kim Henry
360 camera array by Xangle studios

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The visuals will be presented at Bassnectar’s live performances, the earliest of which will be April 13th at Coachella.

Humanitarian Filmmaking: Caleb Slain’s Welcome to the End of the World

Amid all the political scandals, it’s always refreshing to turn our attention elsewhere… perhaps  to the end of the world…

In the Autumn of 2013, Caleb Slain was one of three filmmakers recruited to explore the work of a team helping children in some of the most ignored area of the globe. He and cinematographer Chad Terpstra ventured out into the Indian state of “Nagaland,” one of the most remote regions of the eastern Himalayas to learn about it’s people, the health conditions of the children, and a group called “Vitamin Angels”.

There is good out there.

Woolf+Lapin To Judge Launchpad TV Pilot Competition

We are very happy that Woolf+Lapin is among top agency/management partners to judge the Launchpad’s upcoming 2019 TV Pilot Competition. This would be our second collaboration with the competition. Their focus is on elevation and discovery. So we’re especially grateful to Chris Contreras from the Launchpad for giving us access to this hub of creativity and enabling us to discover great, emerging talent.

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Occupied VR’s The Holy City

The Holy City (OccupiedVR) is an innovative immersive and gamified VR experience of one of the world’s spiritual epicenters. The project reflects an innovation mindset, harnessing cutting edge technology and creating a platform that carries a unique opportunity to understand a new perspective.

The interactive experience will be utilized as an educational, exploratory, and interactive experience rich in narrative and cultural history. Users will be transported to an ancient land to explore historic sites, interact with locals, and gain a deep understanding of a foreign culture.

The historical and culturally driven learning experience will make the viewer feel like they are traveling across the world to a foreign land, seizing an immersive cultural experience of a lifetime. This rich immersion will help celebrate diversity rooted in culture, fostering an inclusive sense of community that you will have to see to believe.

PROJECT FACTS
+ Interactive environments are all 3D scanned replicas of the historic locations
+ Using a hybrid approach of 360 and Room-scale interactivity
+ Exclusive Interviews with key religious figures from Christianity, Judaism, and Islam in Jerusalem