Vapor (excerpt) from Kaveh Nabatian on Vimeo.

“Set in Mexico City over the course of a single day, this is the true story of an older man’s decision to accept his homosexuality. Told without any dialogue, this short film is a cinematic exploration of shame, catharsis, and ultimately, transcendence.

Set to the music of Bell Orchestre and Mozart’s Lacrimosa. ”

Vapor is produced by Kinesis, which also features young talent Sinclair Dubreuil.

Vapor is in competition along with two other Kinesis productions by Montreal directors Patrick Demers for Jaloux and Ky Nam Leduc for Poudre.

Vapor has also made the official selection of the Festival du nouveau cinéma.

Hats off to Kaveh and huge props to Kinesis!

Views of Montreal _ LITTLE SCREAM from Vincent Moon / Petites Planètes on Vimeo.

Kaveh Nabatian will be accompanying Little Scream tomorrow at Osheaga, 4:00 p.m. This is a clip from ARTV. It’s Little Scream as she wanders busking on the Main in Montreal.

Here is Patrick doing what he does best. Also, if you want to learn more about him, read this great aol article.

“When I was a kid, there were two things I wanted badly and never got… A real dog and a Kenner AT-AT Walker.” (Patrick Boivin)

Those lawyers who are on the side of reinforcing copyright laws have well-honed arguments. They really do. In fact, they ought to, it’s their job. But something greater is at stake here. Creativity.

The music biz’s lawyers have notoriously argued for more copyright legislation. Take Lyor Cohen, for example. He’s Chairman and CEO of Warner Music Group. Responsible for signing the likes of Jay-Z, DMX, Slick Rick, EPMD, Ja Rule. Oh yes, he was also the road manager of Run-DMC (btw, love them… huge fan). He is credited for having played an integral part in hip-hop for the last 25 years. Rightly so.

In an interview Cohen gave to Complex, a glossy life-style magazine, he was asked about the viability of free music as a business model. The answer: “If it’s free, then how would record labels pay their staff and sign new artists?”

Pay the staff? Packed in nice top-floor offices in NY and LA? Is this what copyright is all about? How does that protect the artist? Seriously. We all know that copyright only moderately protects the artist but wholly enriches the supporter and enabler of a dated business model that seems to leave out any practical understanding of the web.

On the other hand, Berkman Center Professor and writer David Weinberger says “that the web enables us to rediscover what we’ve always known about being human: we are connected creatures in a connected world about which we care passionately.” And that goes for creativity too. Everything is connected. “Whether it’s Walt Disney recycling the Brothers Grimm, Stephen King doing variations on a theme of Bram Stoker, or James Joyce mashing Homer up with, well, everything, there’s no innovation that isn’t a reworking of what’s already there.” To not recognize this and not be transparent is hypocritical and leads to loss of credibility.

Let’s be transparent about Canada’s bill C-32. It’s irrelevant.

Here’s Weinberger again: “So, I don’t know how the law should change. I’m not a lawyer or legislator. But what’s at stake isn’t whether some of us get music without paying for it but the type of world we’re building. We have the chance to move from a world based on scarcity and greed to one built on abundance and generosity. And the effect will be evolutionary growth ….unless we stay really stupid about it.”

Let users decide what to do. We’ll break the authority all the institutions, government and corporations have had.

My web is your web is our web…