Rap Arabe won the best Canadian documentary prize at 2012’s Toronto Reelworld Film Festival.
Congrats to Bachir!
Rap Arabe won the best Canadian documentary prize at 2012’s Toronto Reelworld Film Festival.
Congrats to Bachir!
This is Franck Blaess’s The Girl in the Rubber Mask starring Mistaya Hemingway.
We are proud to welcome Mistaya whose globe-trotting as a dancer has seen her take on roles in the world’s most prestigious dance companies, including Montreal’s very own La La La Human Steps.
Mistaya now works in Montreal and while she continues to dance on creative collaborations, her focus is now on acting in film projects and music videos. She has acted in notable films and commercials by Franck Blaess, Jérémie Saindon, Alexandre Franchi, Renata Morales and Sabrina Reeves.
Here, Chuck Norris takes care of business.
He’s the toughest guy around.
Better believe it.
Everyone knows Hulk’s pants are made from the master’s beard…
See Creature’s Sylvie Trouvé and Dale Hayward talk about their animation work in general and their gigs in particular.
Le réalisateur et animateur Paul Laberge s’entretient avec Didier Charette à la boutique de BD Millenium.
Il parle de ses inspirations, le dessin en générale tout en prédisant le retour de l’anim 2d.
Au calendrier de la 30e édition des Rendez-vous on pourra voir le travail des talents W+L
suivants…
Christian Lalumière pour son court métrage Training Session, en compétition pour le prix CALQ. Lundi 20 février 2012, 17h30 , Cinéma ONF.
Patrick Boivin et Olivier Roberge pour Enfin l’Automne. Samedi 18 février 2012, 18h00 , Cinémathèque québécoise – Salle Claude-Jutra.
Vanessa Pilon pour son rôle dans Jo pour Jonathan, le film de Maxime Giroux qu’il a co-écrit avec Alexandre Bussières. Jeudi 16 février 2012, 19h30 , Cinémathèque québécoise – Salle Claude-Jutra .
Bachir Bensaddek pour son doc Rap Arabe. Vendredi 17 février 2012, 18h00 , Cinémathèque québécoise – Salle Fernand-Seguin.
This is a very climate appropriate clip Paul did for Jay Peak.
It looks great.
Almost ethereal.
Doesn’t it have a major studio feel to it?
Check this out.
It’s as slick and sleek as ever.
In this interview he gave to Jacehallshow.com, Patrick vaunts the merits of technology and how he mastered it to delve into all elements of production and flood the Internet with whimsical filmaking.
He has totaled more Youtube hits than the channels of CBS and NBC, combined.
He provides the clear evidence that technology has become very powerful and has allowed artists to take the jump and learn by doing instead of enrolling in Film Schools.
Not that we have anything against education mind you.
But some of us are clearly better off without it.