Paloma Dawkins is a cartoonist, animator, and video game creator known for works that blur the line between natural and game environments. Her works include Gardenarium (2015), Alea (2015), Palmystery and Museum of Symmetry, which was part of the official VR selection of the 2019 edition of the Fantasia Film Festival.
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Featured Script: Nadeem Siddiqui’s SLUT
Nadeem Siddiqui just joined our roster. His script SLUT caught our attention. It is riotously and daringly funny.
The script also got the attention of Martin Katz who included Nadeem in his Screenwriting Fellowship for this year’s TIFF.
The Martin Katz Canadian Independent Screenwriting Fellowship is a program designed to encourage and identify new Canadian talent in the field of independent cinema by awarding one screenwriter with an all-expenses paid trip to the Toronto International Film Festival, an opportunity to meet with Producer Martin Katz (Cosmopolis, Hotel Rwanda) and a participant slot in the Black List’s Toronto Screenwriters Mini-Lab at TIFF.
Partners Mont VR Open New VR Centre in Quebec
This is the dawning of a new era of arcades.
We are very proud to be associated with Mont VR who just now opened a third VR centre in Quebec.
We believe bricks and mortar is the best way to achieve mass adoption.
Two thousand square feet of VR bliss.
An Answer to Netflix’s 13 Reasons Why: David Lee Miller’s My Suicide, A Film Actually Created to Save Lives
We are taking the liberty of excerpting Sarah Slobin’s article in Quartz. See full article here.
Slobin sees a stark contrast between the show and the movie. My Suicide was written and directed by Woolf+Lapin collaborator David Lee Miller who won the Crystal Bear Best Picture Generation 14 plus at the 2009 Berlinale. Much like the TV show, My Suicide is also available for streaming on Netflix.
“Like 13 Reasons, My Suicide captures the turmoil surrounding unimaginable loss at an American high school. Unlike 13 Reasons, My Suicide was actually created as a public service, specifically to prevent the worst from happening.”
“The movie is intimate, raw and at times graphic and unsettling (it is not suitable for young children). It’s aesthetic stands in blunt contrast to 13 Reasons, which parents and mental health advocates complain portrays a romanticized, dangerously incomplete portrayal of taking your own life that places blame on the survivors.
“It is the authentic voice of My Suicide that makes this film important viewing for anyone seeking insight into what drives modern teenagers to the brink.
“A dark comedy about the journey from narcissism to connection, My Suicide teleports you directly into the psyche of its main character, Archie Williams. The editing is quick-cut and animation-riddled, the effect is almost hallucinogenic. The view from his teenage-boy mind is hormonal, caustic, sometimes gory, often vulnerable and achingly awkward.
“Those rough edges may not be for everyone. While the show won 26 awards around the world, a cranky review by The Hollywood Reporter described it as being both derived from the internet and an “extended pastiche of YouTube postings,” which is precisely why My Suicide went viral among teens.
“The film’s production house, Regenerate Films, is a nonprofit formed with a mission to make movies that “provide a message of change and hope.” The director, David Lee Miller, told Quartz that the filmmakers “set out to make a movie to save one life” and over time Miller said, they heard from thousands of teenagers who credited it for pulling them back from the edge.
“I Am an Archie” (the homage scrawled to the main character on the fangirl’s arm) became a tag of solidarity adopted by the community.
“Miller said they wanted capture how hard it is to be a kid today; overloaded and overconnected and at the same time disconnected. This particular state of modern culture is among the reasons why Netflix’s choice to release a multi-part series on teen suicide is horrendously timed.
“Netflix does not release viewership information, but a 2016 poll found that 39% of Netflix viewers are between the ages of 13 and 17. At the same time, that state of psychological isolation Miller references is pervasive in cultures across the world, driven by the rise of connectivity over the last decade. Compounding that, studies show that cyber addiction has a role in suicidal behavior.
“In the US, one out of every 33 children suffers from depression. For teens the rate is higher, and can be as high as one out of eight. Of course, not every child who is depressed will commit suicide, but every child who commits suicide fights depression. Suicide was the third leading cause of death among children between 10 and 14, and the second among those 15 to 34.
“In response to the criticism that 13 Reasons may be a trigger for those at risk, Netflix has added additional warning labels in front of graphic scenes. There is also an accompanying website for teens in need of help and a nine-minute public service video where the cast, producers and mental health professionals weigh in.
“But adding signposts is not the same as crafting an experience that consciously avoids triggering teens at risk. However well-intentioned the creators, signing on to make a Netflix series is 180 degrees apart from the work of a nonprofit that makes films specifically to amplify the voices of youth.
“In response to the backlash to 13 Reasons, the actress Selena Gomez—the show’s executive producer—says that the series has started an important conversation. Critics say that the show’s flaws actually make that more difficult.
“When you die you do not get to make a movie or talk to people any more. Leaving a message from beyond the grave is a dramatization produced in Hollywood and not possible in real life.
Also in real life, finding ways to talk to teenagers who are wired to want little to do with adults is no simple task. Delaney Ruston, a filmmaker, primary-care doctor and parent behind the documentary Screenagers, about growing up in the digital age, told Quartz the she is concerned that teens may already be too desensitized to the topic. She hopes “adults won’t lose this moment in time to have a conversation with the teenagers around us in emotional pain.”
“This moment may not be the only chance to have that discussion. My Suicide will be available to stream for the next two years. Netflix has just announced it is bringing back 13 Reasons for a second season.”
Montréal la Blanche World Premiere #Rotterdam 2016
Director Bachir Bensaddek is presenting his film Montréal la Blanche at Rotterdam 2016.
It’s the film’s world premiere.
The film stars Karina Aktouf and Rabah Aït Ouyahia. And Kinesis produced.
Occupied HoloStream Comedian Eric Andre from LA to Toronto for Vice party
January 29th, at the Great Hall in Toronto, comedian Eric Andre was virtually interviewed in what was the world’s first holostreaming event.
The event was made possible by the good people at Vice.
The idea is the brainchild of Occupied VR’s J.Lee Williams in collaboration with Montreal’s Moon Media.
Eric Andre’s interview was followed by Rapper Pusha T.
Directing duo BRTHR direct the Weeknd’s In the Night
BRTHR released this Weeknd music video just before the holidays. It has passed the 17 million views mark.
It is still reminiscent of their run and gun style with their very own editing style. Vulture says it is cholk-full of badassery… Indeed.
Zing Toys and Patrick Boivin Pair UP
Stop-motion animation using Stikbots. The music is a throwback to old, classic animation.
Le Clan, la série réalisée par Jim Donovan, fait jaser
Sébastien Ricard joue avec conviction cet antihéros pris dans le tourbillon infernal du mensonge.
Outre l’univers des délateurs, «Le Clan» traite du mensonge, de la trahison, de vengeance et du désir de liberté qui réside en chacun.
«C’est une série qui porte vraiment à réfléchir. Il y a l’omniprésence du mensonge, sans mensonge, il n’y a pas de société. Les gens mentent à longueur de journée. Ça me fait triper de jouer ce personnage-là », a dit Sébastien Ricard, qui est totalement crédible dans son rôle.
Le tournage s’est effectué au Nouveau-Brunswick ainsi qu’au Québec. Pour une question de réalisme, ce sont de vrais Acadiens qui jouent les personnages du Sud, et ça fonctionne plutôt bien.
La série met aussi en vedette d’excellents comédiens comme Pierre_Yves Cardinal, Germain Houle, Luc Seney, Louis-Philippe Dandenault, Denise Bouchard et Roger Léger.
(adapté de l’article d’Isabelle Verge)
Occupied VR: Body, Mind, Change
We love this promo for the David Cronenberg VR experience from Occupied VR who are working in partnership with the CFC Media Lab.